Post by Brighitta on Mar 9, 2007 9:49:35 GMT -5
Something I started, but I've no idea where it's gonna go. A bit darker than my usual stuff, as well...
ONE
She is a wraith in the night, a silent, almost immaterial being that floats the streets. Each trained movement as precise as a scalpel, as graceful as the treading of the mother of all cats. She has been walking this earth for longer than her years, it often feels, as if she did this in her other life as well, and in the life before that. It comes as easy as breathing; a kick, a slash, warm blood on the ground that disappears when she mutters the long-forgotten words.
Her black coat makes not a sound as the wind lifts it and plays with it. She does not notice it, but brushes a strand of short, auburn hair off her face. A self-satisfied, haughty smile plays on her lips; she knows her strength, her skill, the power that hides behind the deceitfully small frame.
Yes, she knows her strength. Knows that she was born for this, that her small hand was moulded to wield the ancient dagger that has been passed down generations. The silver handle could have been made especially for her, and even now it calls upon her, it thirsts for warm blood. Thirsts for the sweetness of revenge.
A man calls at her, a bulky, drunk being whom she ignores easily. Life on the streets has taught her to ignore the petty distractions of everyday life, to concentrate on that which is important. She cannot let herself get distracted. Once glance aside and she might miss the shadow, the barely audible footstep, the low laugh, the flap of wings that might betray the enemy's presence.
And she knows what happens to those who let their attention stray during patrol. Amelia, stabbed in the back – literally. Jacques, shot while in a nightclub with his girlfriend. Alissa, strangled in the late stages of her pregnancy. James. Orren. Victor. Damien. Xenia. All dead, all buried. She is one of the few that survive, a twenty-year-old who has lost more people dear to her than a hundred-year-old man or woman. No, their were not friends. Not friends. They were more than friends – they were family, people who looked out for one another, fought side-by-side, shared the biggest secret of the modern world. And now all that remained of them were sad little grey slabs of marble with meaningless words and dates. Amelia died at nineteen, and she knows that Amelia was much older than that, so much older. She, like all of them, had seen more anyone, experienced more than anyone. Numbers are not important when compared to experience. And age is just that – a meaningless number.
The church is empty at this late hour. She looks around, making sure no homeless person is in the vicinity. It is quiet, that special kind of silence and motionlessness that usually clings to churches. The kind of silence that is due to awe, the enchanting, oppressive beauty of the candles and the golden icons. There are no candles or icons here – the church has long been abandoned. And yet that feeling of etherealness still clings to this place. She does not feel that awe, for she has seen the ugly face behind the gilded mask. Seen the monster pretending to be the angel.
She does not pretend that she is the angel, for she knows she is not. No, perhaps if that which she fights in an evil, then she is a different kind of evil. Not a legendary hero who fights for good – she no longer knows what she fights for, but does is simply because she does not know what else to do. A realist, a deeply cynical one at that, she has no delusions of grandeur. Fairy-tales, where there is good and evil, black and villains, black and white, they are better left to children. Fairy-tales do not happen in real life; there is no good and bad. Only power. No black and white. Only grey.
Standing between the pews, she wonders if behind the dark clothes, skilful eyeliner and the cold emotionless, her old self still resides. Carefully, nervously, she probes her own soul, as if afraid of what she might find there. Where has the little girl of not too long ago disappeared? Had she ever existed? She can't remember. All that she can recall as endless, dreary days, weeks, months of training, patrolling, then training, then patrolling again.
She hears a footstep behind her. Turns around, hand clasping the ornate handle of the dagger strapped to her thigh.
It is whom she expects. A tall, flat-muscled man dressed in red and black. His opal eyes measure her, size her up. He always does it, for reasons she does not know.
She feels a warm hand on hers, lets herself be lead away into the depths of the abandoned building, into a room that is lit by golden candlelight.
There is a glass of hot grog waiting for her. It burns her throat as she gulps it down, realising only now how cold she is.
He sits opposite her, legs crossed. Watches her with the patience of the immortal.
Drinking, she thinks how deeply ironic it is that people think of evil as horrendous and monstrous. Why should it be? Stupid, gullible, naïve people. If only the bad creatures were ugly and the good creatures were beautiful. That would make her job so much easier.
As she eyes the man through her long fridge, she thinks that evil has many different faces, most of them far from abhorrent. Her own demon is an ethereally beautiful man. Cold, distant eyes that seem to look right through her, see into her. She feel naked, exposed before him, as if she cannot hide anything from those all-seeing eyes. Thin, pale lips are curved in a challenging half-smile.
She lowers the goblet onto the table and rises.
'Take your coat off,' his musical, level voice tells her in what is more a commanding than a requesting tone.
'What?' she is caught off-guard.
'It's soaking wet. Take your clothes off, put on the shirt I laid out for you on the bed.'
'It's fine, I -'
'You'll catch a cold and die,' he says it in a very matter-of-factly tone, and the prospect of her death really does not bother him much, 'and then who'll be a worthy sparring partner for me?'
That makes her smile humourlessly.
'I am sure you can find someone else.'
'Hm. None like you, I think, Kali.'
'No, none like me, Caidur.'
She leaved him in his armchair, slipping into the bedroom silently. A thick shirt of Egyptian linen, neatly folded, lies on the luxurious red covers of the wooden bed. She feels the fabric thoughtfully – it is soft to the touch, probably very expensive.
Starting to shiver now, she gets rid of the damp clothes and tosses them aside. As Kali finished doing the laces of the shirt, a figure appears in the doorway.
'Are you hungry?' Caidur asks. He always keeps food here, especially for her.
'No, thanks.' A pause. 'Caidur?'
'Yes?'
'Something's happening, isn't it?'
He does not answer her, just comes and sits on the bed, his body turned away from her. The shadows conceal Caidur's beautiful face, and Kali cannot see his expression. Not that there is ever one to observe.
'You should sleep, Kali,' he looks up at her.
'You didn't answer my question.'
'We will talk tomorrow. Now, sleep.'
She obeys. The blanket is warm and heavy, a shield against the bitter autumn cold. Her head sinks into the pillow and she sighs involuntarily.
'And yourself?' she asks quietly.
'I have something to do. Do not wait for me, alright?'
Caidur rises from the bed, bends over her and claims her mouth in a warm, lingering kiss. Winding her hands around his neck, Kali returns it, pulling him closer until it is impossible to tell where one ends and the other begins. She dissolves in that kiss, yet again marvelling in the simple pleasure it gives her. Moments later, he pulls away, looks at Kali impassively, then takes her head and presses an almost paternal kiss on her forehead. A faint scent of cigarettes and cinnamon assaults her – so painfully familiar that she almost chokes.
Without saying anything else, the man leaves her. She falls onto the pillows, his kiss still lingering on her lips. The pillows smell of herbs and his cigarettes, and as she falls asleep, she imagines that he is next to her.
ONE
She is a wraith in the night, a silent, almost immaterial being that floats the streets. Each trained movement as precise as a scalpel, as graceful as the treading of the mother of all cats. She has been walking this earth for longer than her years, it often feels, as if she did this in her other life as well, and in the life before that. It comes as easy as breathing; a kick, a slash, warm blood on the ground that disappears when she mutters the long-forgotten words.
Her black coat makes not a sound as the wind lifts it and plays with it. She does not notice it, but brushes a strand of short, auburn hair off her face. A self-satisfied, haughty smile plays on her lips; she knows her strength, her skill, the power that hides behind the deceitfully small frame.
Yes, she knows her strength. Knows that she was born for this, that her small hand was moulded to wield the ancient dagger that has been passed down generations. The silver handle could have been made especially for her, and even now it calls upon her, it thirsts for warm blood. Thirsts for the sweetness of revenge.
A man calls at her, a bulky, drunk being whom she ignores easily. Life on the streets has taught her to ignore the petty distractions of everyday life, to concentrate on that which is important. She cannot let herself get distracted. Once glance aside and she might miss the shadow, the barely audible footstep, the low laugh, the flap of wings that might betray the enemy's presence.
And she knows what happens to those who let their attention stray during patrol. Amelia, stabbed in the back – literally. Jacques, shot while in a nightclub with his girlfriend. Alissa, strangled in the late stages of her pregnancy. James. Orren. Victor. Damien. Xenia. All dead, all buried. She is one of the few that survive, a twenty-year-old who has lost more people dear to her than a hundred-year-old man or woman. No, their were not friends. Not friends. They were more than friends – they were family, people who looked out for one another, fought side-by-side, shared the biggest secret of the modern world. And now all that remained of them were sad little grey slabs of marble with meaningless words and dates. Amelia died at nineteen, and she knows that Amelia was much older than that, so much older. She, like all of them, had seen more anyone, experienced more than anyone. Numbers are not important when compared to experience. And age is just that – a meaningless number.
The church is empty at this late hour. She looks around, making sure no homeless person is in the vicinity. It is quiet, that special kind of silence and motionlessness that usually clings to churches. The kind of silence that is due to awe, the enchanting, oppressive beauty of the candles and the golden icons. There are no candles or icons here – the church has long been abandoned. And yet that feeling of etherealness still clings to this place. She does not feel that awe, for she has seen the ugly face behind the gilded mask. Seen the monster pretending to be the angel.
She does not pretend that she is the angel, for she knows she is not. No, perhaps if that which she fights in an evil, then she is a different kind of evil. Not a legendary hero who fights for good – she no longer knows what she fights for, but does is simply because she does not know what else to do. A realist, a deeply cynical one at that, she has no delusions of grandeur. Fairy-tales, where there is good and evil, black and villains, black and white, they are better left to children. Fairy-tales do not happen in real life; there is no good and bad. Only power. No black and white. Only grey.
Standing between the pews, she wonders if behind the dark clothes, skilful eyeliner and the cold emotionless, her old self still resides. Carefully, nervously, she probes her own soul, as if afraid of what she might find there. Where has the little girl of not too long ago disappeared? Had she ever existed? She can't remember. All that she can recall as endless, dreary days, weeks, months of training, patrolling, then training, then patrolling again.
She hears a footstep behind her. Turns around, hand clasping the ornate handle of the dagger strapped to her thigh.
It is whom she expects. A tall, flat-muscled man dressed in red and black. His opal eyes measure her, size her up. He always does it, for reasons she does not know.
She feels a warm hand on hers, lets herself be lead away into the depths of the abandoned building, into a room that is lit by golden candlelight.
There is a glass of hot grog waiting for her. It burns her throat as she gulps it down, realising only now how cold she is.
He sits opposite her, legs crossed. Watches her with the patience of the immortal.
Drinking, she thinks how deeply ironic it is that people think of evil as horrendous and monstrous. Why should it be? Stupid, gullible, naïve people. If only the bad creatures were ugly and the good creatures were beautiful. That would make her job so much easier.
As she eyes the man through her long fridge, she thinks that evil has many different faces, most of them far from abhorrent. Her own demon is an ethereally beautiful man. Cold, distant eyes that seem to look right through her, see into her. She feel naked, exposed before him, as if she cannot hide anything from those all-seeing eyes. Thin, pale lips are curved in a challenging half-smile.
She lowers the goblet onto the table and rises.
'Take your coat off,' his musical, level voice tells her in what is more a commanding than a requesting tone.
'What?' she is caught off-guard.
'It's soaking wet. Take your clothes off, put on the shirt I laid out for you on the bed.'
'It's fine, I -'
'You'll catch a cold and die,' he says it in a very matter-of-factly tone, and the prospect of her death really does not bother him much, 'and then who'll be a worthy sparring partner for me?'
That makes her smile humourlessly.
'I am sure you can find someone else.'
'Hm. None like you, I think, Kali.'
'No, none like me, Caidur.'
She leaved him in his armchair, slipping into the bedroom silently. A thick shirt of Egyptian linen, neatly folded, lies on the luxurious red covers of the wooden bed. She feels the fabric thoughtfully – it is soft to the touch, probably very expensive.
Starting to shiver now, she gets rid of the damp clothes and tosses them aside. As Kali finished doing the laces of the shirt, a figure appears in the doorway.
'Are you hungry?' Caidur asks. He always keeps food here, especially for her.
'No, thanks.' A pause. 'Caidur?'
'Yes?'
'Something's happening, isn't it?'
He does not answer her, just comes and sits on the bed, his body turned away from her. The shadows conceal Caidur's beautiful face, and Kali cannot see his expression. Not that there is ever one to observe.
'You should sleep, Kali,' he looks up at her.
'You didn't answer my question.'
'We will talk tomorrow. Now, sleep.'
She obeys. The blanket is warm and heavy, a shield against the bitter autumn cold. Her head sinks into the pillow and she sighs involuntarily.
'And yourself?' she asks quietly.
'I have something to do. Do not wait for me, alright?'
Caidur rises from the bed, bends over her and claims her mouth in a warm, lingering kiss. Winding her hands around his neck, Kali returns it, pulling him closer until it is impossible to tell where one ends and the other begins. She dissolves in that kiss, yet again marvelling in the simple pleasure it gives her. Moments later, he pulls away, looks at Kali impassively, then takes her head and presses an almost paternal kiss on her forehead. A faint scent of cigarettes and cinnamon assaults her – so painfully familiar that she almost chokes.
Without saying anything else, the man leaves her. She falls onto the pillows, his kiss still lingering on her lips. The pillows smell of herbs and his cigarettes, and as she falls asleep, she imagines that he is next to her.